There are fundamentally different principles and energies driving both sides: the white light / yogini paradigm focuses on the release of all physical matter, thus transcending into the "blank, purity" that white would represent. This is a unification consciousness principle, "all as source", with no consideration for individuals or free will. It's focus is pure energy.
Shamanic traditions take the opposite approach of considering shadow and body principles, which give them the colored rays: the many manifestations and differentiations of spirit: (Ie. Free will, sovereignty, etc). These systems focus upon defining and exploring the variety of dimensions, realms, and types of spiritual energies. Thus rays and color used as a language to help organically define these things.
One system seeks to unify and remove difference, while the other thrives on honoring the boundaries created within each consciousness. I can only speak from my personal meditation and lucid dreaming /astral projection experiences: I have always focuses on the rays and individuated consciousness, never the idea of "unity" consciousness. My dreams and visions have been filled with color, numbers, geometry, and rainbows. I am tapped more into the shamanic lineage because I chose to embrace body and physicality, therefore, my world's perception is "colored" from that lens.
Shamanic traditions take the opposite approach of considering shadow and body principles, which give them the colored rays: the many manifestations and differentiations of spirit: (Ie. Free will, sovereignty, etc). These systems focus upon defining and exploring the variety of dimensions, realms, and types of spiritual energies. Thus rays and color used as a language to help organically define these things.
One system seeks to unify and remove difference, while the other thrives on honoring the boundaries created within each consciousness. I can only speak from my personal meditation and lucid dreaming /astral projection experiences: I have always focuses on the rays and individuated consciousness, never the idea of "unity" consciousness. My dreams and visions have been filled with color, numbers, geometry, and rainbows. I am tapped more into the shamanic lineage because I chose to embrace body and physicality, therefore, my world's perception is "colored" from that lens.
having de ja vus , butterfly effect movie , flash backs forwards
an time scaling: (well i definitely forgot to write that piece later, postponed again!)
The astral plane is the plane of illusion, of glamor, and of a distorted presentation of reality. The reason for this is that every individual in the world is busy working in astral matter, and the potency of human desire and of world desire produces that constant "outpicturing" and form building which leads to the most concrete effects of astral matter. Individual desire, national desire, racial desire, the desire of humanity as a whole, plus the instinctual desire of all subhuman lives causes a constant changing and shifting of the substance of the plane; there is a building of the temporary forms, some of rare beauty, some of no beauty, and a vitalizing by the astral energy of its creator. Add to these forms that persistent and steadily growing scenario we call the "akashic records" which concern the emotional history of the past, add the activities of the discarnate lives which are passing through the astral plane, either out of or towards incarnation, add the potent desire, purified and intelligent, of all superhuman Lives, including those of the occult planetary Hierarchy, and the sum total of forces present is stupendous. All play upon, around and through every human being, and according to the calibre of his physical body, and the condition of his centers will be his response. Through this illusory panorama, the aspirant has to make his way, finding the clue or thread which will lead him out of the maze,
an time scaling: (well i definitely forgot to write that piece later, postponed again!)
The astral plane is the plane of illusion, of glamor, and of a distorted presentation of reality. The reason for this is that every individual in the world is busy working in astral matter, and the potency of human desire and of world desire produces that constant "outpicturing" and form building which leads to the most concrete effects of astral matter. Individual desire, national desire, racial desire, the desire of humanity as a whole, plus the instinctual desire of all subhuman lives causes a constant changing and shifting of the substance of the plane; there is a building of the temporary forms, some of rare beauty, some of no beauty, and a vitalizing by the astral energy of its creator. Add to these forms that persistent and steadily growing scenario we call the "akashic records" which concern the emotional history of the past, add the activities of the discarnate lives which are passing through the astral plane, either out of or towards incarnation, add the potent desire, purified and intelligent, of all superhuman Lives, including those of the occult planetary Hierarchy, and the sum total of forces present is stupendous. All play upon, around and through every human being, and according to the calibre of his physical body, and the condition of his centers will be his response. Through this illusory panorama, the aspirant has to make his way, finding the clue or thread which will lead him out of the maze,
Magic realism or magical realism is a genre where magic elements are a natural part in an otherwise mundane, realistic environment.[1] Although it is most commonly used as a literary genre, magic realism also applies to film and the visual arts.
One example of magic realism occurs when a character in the story continues to be alive beyond the normal length of life and this is subtly depicted by the character being present throughout many generations. On the surface the story has no clear magical attributes and everything is conveyed in a real setting, but such a character breaks the rules of our real world. The author may give precise details of the real world such as the date of birth of a reference character and the army recruitment age, but such facts help to define an age for the fantastic character of the story that would turn out to be an abnormal occurrence such as someone living for two hundred years.
The term is broadly descriptive rather than critically rigorous: Professor Matthew Strecher defines magic realism as "what happens when a highly detailed, realistic setting is invaded by something too strange to believe."[2] Many writers are categorized as "magical realists," which confuses what the term really means and how wide its definition is.[3]
~think benjamin couwenberg , site creator www.consciousazinecom productions
"I said it once ill say it again, im up myself am i? good, because youknow whats up my own ass? a chakra system you dumb fuck"~benjamin smartarse couwenberg
One example of magic realism occurs when a character in the story continues to be alive beyond the normal length of life and this is subtly depicted by the character being present throughout many generations. On the surface the story has no clear magical attributes and everything is conveyed in a real setting, but such a character breaks the rules of our real world. The author may give precise details of the real world such as the date of birth of a reference character and the army recruitment age, but such facts help to define an age for the fantastic character of the story that would turn out to be an abnormal occurrence such as someone living for two hundred years.
The term is broadly descriptive rather than critically rigorous: Professor Matthew Strecher defines magic realism as "what happens when a highly detailed, realistic setting is invaded by something too strange to believe."[2] Many writers are categorized as "magical realists," which confuses what the term really means and how wide its definition is.[3]
~think benjamin couwenberg , site creator www.consciousazinecom productions
"I said it once ill say it again, im up myself am i? good, because youknow whats up my own ass? a chakra system you dumb fuck"~benjamin smartarse couwenberg
Apparently if you cough your DMT toke it muddles up the trip....
|
hypercarbilation -turning humanity into an eternal hyperdimensional being
sitting in the ni wan celestial pool upper dantian.
The name refers to the cavity at the base of the throat that "pools" escaped .... Heaven Chi (Qi) is composed of the Chi (Qi) from the celestial bodies: the sun, moon, .... residing as a luminous mist within the Ni-Wan Palace of the Upper Dantian.
http://books.google.com.au/books?id=OCGOxCMMWkYC&pg=PT27&lpg=PT27&
dq=ni+wan+celestial+pool&source=bl&ots=C
BkF0-v94S&sig=5UelZpOx6hZFwiNj9gO7OjsC5vY
&hl=en&sa=X&ei=y-89VLnsLI_aoATtjYH4Dw&ved=0CB0Q6A
EwAA#v=onepage&q=ni%20wan%20cele
stial%20pool&f=false
OUTER AND INNER ALCHEMY
Daoist alchemy, like Western alchemy, was practiced in two ways: outer alchemy (Wai Dan) and inner alchemy (Nei Dan). Outer alchemy was the ancestor of modern chemistry. Outer alchemists set up laboratories and experimented with many substances from mineral, animal, and plant sources with the goal of discovering how to turn base metals into gold. Secretly, they were also seeking to discover an elixir that would confer immortality or, at least greater longevity. In the process of this outer alchemical experimentation, the ancient Chinese discovered many exceptionally potent herbal medicines, in addition to other chemical formulas such as the formula for gunpowder.
Inner alchemy was concerned with purifying human nature and transforming the spirit into its most pure and radiant potential without the use of external agents. Chi Kung exercises and meditations were developed in order to circulate and gather the "inner elixirs" of Jing (matter), Chi (Qi) (energy), and Shen (spirit) at various locations within the body. These internal alchemists viewed the Three Dantians as inner crucibles or cauldrons, and employed them in the role of gathering and transforming vital substances, energies, and various aspects of awareness. All of the internal alchemy methods and formulas involve specific combinations of the body's Jing, Chi (Qi), and Shen. The inner alchemists kept their work hidden by using secret mineral code words such as "gold," "lead," and "cinnabar" to describe the movements and transformations of energetic and spiritual substances within the body.
The ultimate goal of internal alchemy is immortality, a complete transformation of the body's Jing, Chi (Qi), and Shen. Jing, Chi (Qi), and Shen are the three fundamental energies necessary for human life, and are collectively referred to as the "Three Treasures of Man." To accomplish this transformation, alchemists first gather and transform Jing into Chi (Qi) in the Lower Dantian. They then gather and transform Chi (Qi) into Shen in the Middle Dantian. Next, they transform Shen into Wuji (the absolute openness of infinite space) in the Upper Dantian. Finally, they merge Wuji into Dao (divine energy).
These transformations can be compared to the changes of water consistencies, which when heated, can change from solid ice, to liquid, to vapor. These progressive transformations are one example of the use of the Three Dantians as inner crucibles in the process of internal alchemy. Through extensive experimentation in the internal laboratory of the physical, energetic, and spiritual body, Daoist alchemists were able to become powerful sorcerers, augurs, and healers.
~http://www.ichikung.com/html/dantians.php
Today at the eschaton 2012 the outer alchemist is celebrated but the inner alchemist has been shuned to the background. this is similar to burning your witches/shamans at the stake at full moon in "western society". It wont end well..
It will end with billions impoverished, the idiots feuding, environmental catastrophe's, robotic life styles, slavery,inward diversification and an animal holocaust .. oh wait welcome to the year 2014..
The name refers to the cavity at the base of the throat that "pools" escaped .... Heaven Chi (Qi) is composed of the Chi (Qi) from the celestial bodies: the sun, moon, .... residing as a luminous mist within the Ni-Wan Palace of the Upper Dantian.
http://books.google.com.au/books?id=OCGOxCMMWkYC&pg=PT27&lpg=PT27&
dq=ni+wan+celestial+pool&source=bl&ots=C
BkF0-v94S&sig=5UelZpOx6hZFwiNj9gO7OjsC5vY
&hl=en&sa=X&ei=y-89VLnsLI_aoATtjYH4Dw&ved=0CB0Q6A
EwAA#v=onepage&q=ni%20wan%20cele
stial%20pool&f=false
OUTER AND INNER ALCHEMY
Daoist alchemy, like Western alchemy, was practiced in two ways: outer alchemy (Wai Dan) and inner alchemy (Nei Dan). Outer alchemy was the ancestor of modern chemistry. Outer alchemists set up laboratories and experimented with many substances from mineral, animal, and plant sources with the goal of discovering how to turn base metals into gold. Secretly, they were also seeking to discover an elixir that would confer immortality or, at least greater longevity. In the process of this outer alchemical experimentation, the ancient Chinese discovered many exceptionally potent herbal medicines, in addition to other chemical formulas such as the formula for gunpowder.
Inner alchemy was concerned with purifying human nature and transforming the spirit into its most pure and radiant potential without the use of external agents. Chi Kung exercises and meditations were developed in order to circulate and gather the "inner elixirs" of Jing (matter), Chi (Qi) (energy), and Shen (spirit) at various locations within the body. These internal alchemists viewed the Three Dantians as inner crucibles or cauldrons, and employed them in the role of gathering and transforming vital substances, energies, and various aspects of awareness. All of the internal alchemy methods and formulas involve specific combinations of the body's Jing, Chi (Qi), and Shen. The inner alchemists kept their work hidden by using secret mineral code words such as "gold," "lead," and "cinnabar" to describe the movements and transformations of energetic and spiritual substances within the body.
The ultimate goal of internal alchemy is immortality, a complete transformation of the body's Jing, Chi (Qi), and Shen. Jing, Chi (Qi), and Shen are the three fundamental energies necessary for human life, and are collectively referred to as the "Three Treasures of Man." To accomplish this transformation, alchemists first gather and transform Jing into Chi (Qi) in the Lower Dantian. They then gather and transform Chi (Qi) into Shen in the Middle Dantian. Next, they transform Shen into Wuji (the absolute openness of infinite space) in the Upper Dantian. Finally, they merge Wuji into Dao (divine energy).
These transformations can be compared to the changes of water consistencies, which when heated, can change from solid ice, to liquid, to vapor. These progressive transformations are one example of the use of the Three Dantians as inner crucibles in the process of internal alchemy. Through extensive experimentation in the internal laboratory of the physical, energetic, and spiritual body, Daoist alchemists were able to become powerful sorcerers, augurs, and healers.
~http://www.ichikung.com/html/dantians.php
Today at the eschaton 2012 the outer alchemist is celebrated but the inner alchemist has been shuned to the background. this is similar to burning your witches/shamans at the stake at full moon in "western society". It wont end well..
It will end with billions impoverished, the idiots feuding, environmental catastrophe's, robotic life styles, slavery,inward diversification and an animal holocaust .. oh wait welcome to the year 2014..